Nominee "Best Blues Recording"--San Diego Music Awards, 2006
#3 seller on CrossCut's Blues Chart, Europe (Bear Family)


REVIEW/ INTERVIEW
"TRAIN ROLLS ON"
Mississippi Mudsharks

By Dave Good For Blues Wax E-Zine

A ROOTS MUSIC COCTAIL of testosterone and sweat, hot rod grease and beer that compels a listener to grind all night on the dance floor: that's what Scottie Blinn had in mind when he re-tooled his career after the demise of his old band, the Mississippi Mudsharks. He hired new players and launched the Tiki Torchers in San Diego. The band rocked. Following the unsuccessful musical changes during the Sharks last days the Torchers were, in many ways, a return to form for the charismatic guitar player. Later, a successful partnership with Eric Von Herzen from Social Distortion was formed and Blinn called it Mississippi Mud. Some called it Scottie Blinn's Mike Ness phase. The music rocked harder than ever before. And what about that new voice?

"Cigarettes and whiskey," he says.

During much of the '90's the Mississippi Mudsharks were the foundation of San Diego's blues scene. They were a power blues-rock trio and they played two and sometimes three gigs a day. "We spent four years," Blinn remembers, "playin' over 300 gigs a year." In time, they added a harp player named Billy Watson. They outgrew the San Diego blues scene they helped to start and found tremendous support in Europe. Europe, says Blinn, became like a second San Diego. And then, the Mudsharks began to outgrow each other.

"There was a time in '97 and '98 that the band took a different direction," says Blinn. Some thought the new direction a watered-down pop version of the driving blues sound that the Mudsharks were known for. "I wasn't really into it. Some people really liked it, but a lot of our hardcore fans didn't really dig it." The bass player at the time, Blinn says, brought that pop influence to the core mix. "It's not that it was bad or that it sucked," Blinn says. "It just wasn't me."

Last year, six years after the original Mississippi Mudsharks disbanded Blinn reprised his partnership with the Shark's original drummer Tommy Essa. They called it the Mississippi Mudsharks, like in the old days, but the sound held more to the blueprint set by Blinn with the Tiki Torchers and with Von Herzen in Mississippi Mud.

"Tom decided he was tired of playin' with the straight blues bands," says Blinn, "and felt like rockin' again." Illness took Von Herzen out of the project. Essa and Blinn carried the sound on with a number of different bass players.

"This whole thing came about with us being fed up with the standard blues scene that was out there and wantin' to break out into different kind of venues ­ not forsaking the blues at all, but at the same time trying to grab that younger audience once again."

Train Rolls On, recorded in 2006 in San Diego, is a blues record in the sense that this is what happens when solid blues cats make a roots rock record. Train Rolls On is a rock fest of blues imagery that owes as much to rockabilly and to punk as it does to Chicago or the Delta.

"We decided to combine the attitude of punk with traditional roots, not just blues, but country and surf and combine these things together," Blinn says, "and come up with a completely different sound that no one's doin'."

That said, the CD rocks from the eponymous title track (Von Herzen gets co-writing credit for this and for "Hangin' Tree.") If the feel of the record is something that might make a Social D fan get happy, there is also the sexual drawl of ZZ Top. "Throw It In The Hole" has a sweet and jazzy Billy Gibbons change-up and Blinn's guitar fries on overdrive. "30 Weight Shuffle" and "Zombie Whip" follow with potent struts that have the same juicy Tres Hombres feel.

There is no question that this is a guitar player's record. "Lakeside Redneck Shindig" is pure punk rockabilly inspired by Hellbound Hayride and featuring a solo on pedal steel by Johnny Smokes that careens all over the road. Blinn himself by now knows every guitar lick ever invented. But that said, the revised Mudsharks are not a platform for his fretboard abilities. The guitar solo on "Hangin' Tree," for example, is pounds of soul played in the most economical of terms. Where guitar notes used to fly like bullets in years past, Blinn's leads have since matured. He makes more with less.

But to hear what it was that kept local blues fans so loyal for so many years, you have to wait for track eight and "Can't Put Down the Drink." "I used to be ugly," Blinn sings, "Lord there was no helpin' me / Couple beers, shot of whisky, glass of wine, and I'm just a pretty as can be." The song is riddled with Texas riffs that are fat-toned and right on target. "I know it's hard for you to see me this way / I'm just as drunk as ever / And that's probably how I'll stay."

A new record is due out in the spring of 2008. "I'm always big on weird instruments," says Blinn. "On one record, Andy Geib from Wise Monkey Orchestra played trombone. On the acoustic record we did, we had mandolin and washboard, shakers, and all sorts of stuff goin' on. I think on the next record I could actually hear one or two songs with some accordion on it, which I think would be kind of a trip."

And if the bass player was a problem in the original band, the slot remains problematic to this day. "We've had a couple with us," Blinn says, "that don't work out for one reason or another. We're working with a young guy right now that plays upright and electric. We're putting him through Shark boot camp. We'll see how it all works out." But if he doesn't get what he wants, Blinn and Essa may hire from within the family.

"I've been teachin' my wife Roxanne to play bass for the last couple of years," Blinn says, "and she's got a great feel for that thing."

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The Mississippi Mudsharks - Train Rolls On
I picked up my sister's best friend and you know she ain't no perfect ten
By John J. Geysen | 07/02/2007 | Filed under Music Rock

****1/2

Out on the highway, the perfect place for the Mississippi Mudsharks' new album Train Rolls On, I push past the other cars. My old Buick swings from lane to lane on a hot summer night. Right now with the Mudsharks on the stereo you could say, "I'm desperate and dangerous and I don't care if I die."
You might not be a badass like me but after a few chords of the opening/title track of Train Rolls On you'll feel like one.  As the title suggests, there's no let up on this hard driving album.
The Mississippi Mudsharks, led by Scottie "Mad Dog" Blinn, are a legendary blues band from San Diego. Like a lot of groups, they took off and burned out in the mid-90's. Train Rolls On, along with an upcoming European tour, marks their return. That's great news for those of you who love the blues.
They've been described as "Grease Punk," which mixes traditional blues and country with a raw attitude. A punk mentality does inform most of the songs on a Train Rolls On, but the styles are varied, ranging from blues to traditional country and even hinting at surf guitar. You've got the delta swampy sound of "Hangin' Tree," the slow painful blues of "Can't Put Down the Drink," the driving beat of "Lakeside Redneck Shindig," and the western fable "Devil's Road" all on one disc. Then comes a song like the feedback tinged "Zombie Whip" which, with its darkly off beat lyrics, would fit in a Quentin Tarantino film.
The Mudsharks do come at you fast and from all kinds of directions but they really are a traditional, hard hitting blues band. It's dirty music in all the best ways. There's no faking it. They're a band that's actually been on the "lonely roads" and in the "smokey saloons" they sing about.
Blinn's harsh vocals would be at home in any super cool/dangerous local bar. Nevermind that his nickname is Mad Dog, he's got the kind of voice that'd make you question whether or not you should be hanging out inside a place he'd play in.  Blinn sounds like a mix of Howlin' Wolf, Tom Waits, and Chuck Berry. The rest of the band are rock solid, laying down track after track of grimy blues. You can tell they mean it.
Train Rolls On, put out by the independent label Double Barrel Records, delivers the goods. Buy this album. Open yourself up to a great band you've probably never heard before. Impress your friends. Get down and dirty.

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"Train Rolls On"-Mississippi Mudsharks   August, 2007
Turn back the clock 20 years, put 'em in a small club, crank up the grunge, add some punk heat and ZZ Top would be the Mississippi Mudsharks.  These guys mix it up heavy and rocking, blending elements of SRV and Tom Waits into one of the heaviest sounds to roll down a track in a long time.  Psychedelia like the 13th Floor Elevators, mystery a la "Ghost Riders In the Sky", Duane Eddy twang, driving boogie Mr. John Lee Hooker riffs and vocals that Dusty Hill has trouble capturing these days crash together.  A power trio, Scott Blinn (G), Tom Essa (D) and Big Mike Lars (B) have a uniquely greasy, smokingly wicked, dark and dirty groove.  This is one pounding loco of doom, rushing down the track to Armageddon.  9 snaves
~~Dr. Blues, Long Island

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"Train Rolls On", Mississippi Mudsharks Aug. 2007
This Powerful trio consists of Scottie "Mad Dog" Blinn, drummer Tom Essa, and "Big" Mike Lars on bass. Mad Dog scorches his fret board and growls his vocals on music that reminds me as much of the Blasters and X as it does any blues I've heard. Some call it punk blues, and Blinn called it "Grease Punk". Blinn along with Essa started up the band in San Diego back in 1992, and have gone on to win numerous San Diego Music Awards for "Best Blues Band". They have also had multiple European tours and enjoy a large oversees fan base. I liked the slow blues of "Can't Put Down The Drink" and the blues rocker "Throw It In The Hole". If you are a "Too Slim" fan, I think you might also enjoy the Mississippi Mudsharks.
~~Malcom Kennedy/ Washington Blues Society

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Roots Music Report--

CD: Train Rolls On

Label: Double Barrel Records

Rating: ****

Reviewed by Brenda Barbee - RMR Reviews Director
The Mississippi Mudsharks have put together yet another strong showing of their gutsy, entertaining style of music. It's been awhile since these guys have turned out a CD, but once you hear it, you'll be most happy that they're back. It's kinda like ZZ Top meets the Blues, but these artists have a style all their own and it is the kind of stuff that gets you rockin'. The new CD has 11 original tunes that ably demonstrate this South California group's versatility and far-reaching talent. The throaty vocals (in some cases almost Louis Armstrong-esque) are made to order for this kind of blues.

The lyrics are gritty and gripping and several of the tracks have some really high energy guitar that is guaranteed to get the feet stomping. It's actually difficult to pick a favorite from among the songs. The Mudsharks also treat you to a couple of way cool instrumentals that are sure to fire you up.

Don't be surprised if after listening to this CD, you have these cool songs bouncing around in your head for hours afterwards.~~Brenda Barbee - RMR Reviews Director Aug. 2007

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June, 2007 Blues Bytes, Phoenix Blues Society

The Mississippi Mudsharks developed a huge following in the 1990's among West Coast and European fans for their intense mix of blues, punk, rock, and roots.  Releasing several popular CDs during the decade and touring incessantly, the band won the San Diego Music Award for Best Blues Band.  Exhaustion and the ever-popular "creative differences" sent the members in different directions in 1999, but the members remained active (frontman Scottie "Mad Dog" Blinn formed the Tiki Torchers and eventually Mississippi Mud).  Two years ago, Blinn regrouped with another original Mudshark, drummer Tom Essa and The Mississippi Mudsharks were reborn, and now have a new release on Double Barrel Records, Train Rolls On.
 
The Mudsharks have an aggressively gritty sound rooted as much in punk as it is in the blues.  Blinn's grungy guitar leads and fills, along with his blistering slide, is the key to their sound as are his vocals, which can best be described as a guttural snarl  The rest of the Mudsharks consist of the rhythm section, drummer Essa and "Big" Mike Lars on bass, do yeoman's work and keep things tight in the pocket.
 
Johnny Smokes also appears on pedal steel guitar on the country/punkabilly numbers "Devil's Road" and on "Lakeside Redneck Shindig," a high-speed stepper where you might lose your hat if you don't hang on to it.  Actually, the songwriting is consistently strong throughout Train Rolls On, whether it's the hard rockers ("Train Rolls On," "30 Weight Shuffle," "Zombie Whip," and "Down The Line") or the slow burners ("Hangin' Tree,"  the mid-tempo numbers ("Throw It In The Hole," "Can't Put Down The Drink," and "Slow Rollin'").
 
Blinn likes to describe the band's music as "Greasy, primitive, and raw."  If you like your blues rough and nasty and slightly chaotic, I can't think of a better place to start than with the Mississippi Mudsharks. 

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June 2007 Music City Blues Review, Nashville

TRAIN ROLLS ON
MISSISSIPPI MUDSHARKS

DOUBLE BARREL RECORDS
TRAIN ROLLS ON--CRIMSON SKY--THROW IT IN THE HOLE--30 WEIGHT SHUFFLE--LAKESIDE REDNECK SHINDIG--HANGIN' TREE--DEVIL'S ROAD--CAN'T PUT DOWN THE DRINK--ZOMBIE WHIP--DOWN THE LINE--SLOW ROLLIN'
 
     Power-blues trio The Mississippi Mudsharks have been one of San Diego's hottest commodities since the mid-Nineties.  Consisting of Scottie Blinn on guitar, Tom Essa on drums and Mike Lars on bass, they've won just about every award that can be given in the San Diego area.  Combining elements of the delta, rockabilly, punk, and even country, with an "in-your-face" attitude, these guys deliver a refreshing shot in the arm to the sound of contemporary blues.
     Scottie Blinn plays a mean slide, with a raw energy and passion that  drives these grooves unabashedly along.  Add to that his vocals, which sound like a cross between Howlin' Wolf and ZZ Top's Billy Gibbons, and you have a unique combination, indeed.  Check out his blistering lead lines on "Train Rolls On."  He mines some deep slow-blues territory in "Throw It In The Hole" and "Can't Put Down The Drink."  A touch of twang drives Scottie's ode to "pickup trucks that don't suck," cheap beer and partying in general with "Lakeside Redneck Shindig."   Visions of delta voodoo permeate the spooky "Hangin' Tree," as well. 
     We had two favorites, too.  More of Scottie's feverish slide drives the galloping instrumental "Down The Line."  And, an eerie "Ghost Riders" riff sets the tone for a tale of a man whom bad mojo just seems to follow, and who's always "one step ahead on the Devil's Road." 
     If you like your blues with a touch of 'tude, then you owe it to yourself to check out The Mississippi Mudsharks and "Train Rolls On."  Until next time.....
Sheryl and Don Crow. 

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June 2007

BLUES SOURCE

On Train Rolls On (Double Barrel Records), Southern California mainstays Mississippi Mudsharks pump their patented mixture of rockabilly, blues, and punk full of high-octane attitude. Scottie "Mad Dog" Blinn's gravelly vocals are part Sleepy LaBeef, part Mike Ness, and his guitar work will singe your speakers. "Lakeside Redneck Shindig" revs up a Luther Perkins-style boogie; "30 Weight Shuffle" is pure Paladins roots-rockin' blues. Things get creepy (in a good way) on the ominous "Hangin' Tree," the Cramps-like "Zombie Whip," and the ghost-riding "Devil's Road." The Mudsharks - Blinn, drummer Tom Essa, and bassist Big Mike Lars - demonstrate their expertise at straight blues on the slow, uptown number "Can't Put Down the Drink." Owners of black leather jackets will dig this.

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1/16/07

*** 1/2

Formed in 1992 by guitarist Scottie "Mad Dog" Blinn and drummer Tom Essa, the Mississippi Mud Sharks were favorites on the San Diego roots rock scene for over half a decade before applying the breaks in 2000, which makes Train Rolls On a reunion of sorts. A power trio (Mike Lars handles the bass duties) specializing in a kind of punk blues driven by Blinn's gruff, Wolfman Jack-like vocals and blistering slide playing, the Sharks open the throttle here on the title track and then never look back, blasting through an impressive set of bluesy voodoo rock. Among the highlights are the classic "Train Rolls On," the template for most of what these guys do, "Throw It In the Hole," which sounds like a rocking Tom Waits out in front of a top notch power trio, the spooky and gliding "Devil's Road," given additional eerie atmosphere by guest Johnny Smokes' pedal steel playing, and the straight blues "Can't Put Down the Drink," which shows that Blinn can gear down and play this stuff clean when he chooses to. This is no-nonsense punk blues with pedigree and attitude, but filled too with subtle variety and flashes of humor, and it shows an intelligent band with clear purpose behind all the bluster and power.
~~Steve Leggett, Allmusic.com

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1/01/07

Got good news for you: the Mississippi Mudsharks are back on the scene, back by popular demand. During the nineties, the Southern Californian band led by Scottie Blinn was a regular on the European blues circuit. But after a couple of years Scottie felt like he had to move forward. He started various guitar projects. But his European friends kept asking for a re-union of the Mudsharks. So here they are, back with a grrreat record full of stompin' boogies, heavy shuffles, mighty rockers and even a couple of slow blues, dark as a rainy November afternoon in the north of Denmark. Powerful, sweaty lead guitar work, low, mumbling vocals and a in-synch rhythm section. Awesome. Guess fans of the Mudsharks will really enjoy this CD. If you are not familiar yet with the band, check them out! Highly recommended. SCOTTIE BLINN - gtr/voc, MIKE LARS - bass, TOM ESSA - drums.
~~Detlev Hoegen, Cross Cut Records

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Midwest Record--March 2, 2007

MISSISSIPPI MUDSHARKS/Train Rolls On: Proof of an amazing musical underground being alive and well whether the 'industry' likes it or not.  This punk/blues/surf outfit has rolled along over a decade in various combinations, with various over ground pros being on board and are proverbial stars in Europe while playing over 300 under the radar dates a year here.  Sometimes you just have to show up and keep on chugging.  This is a high octane, hotter than hot blues related romp that purists won't know how to deal with but Gen Yers will think is blues.  Loaded with punk attitude and hard attack sound, this is the music you want when you need to get the party started and let off steam.  Wild stuff that knows no bounds, or boundaries for that matter.

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Southland Blues--April 2007
Scottie "Mad Dog" Blinn leads the Mississippi Mudsharks with his high powered guitar and gritty vocals in a program of original songs on this contemporary album. With a punk rocker vocal presence that oozes fierce emotion, Blinn and the band pound out their message with spirit. Founded in San Diego in 1992, the band has undergone several transformations. As this album's title relates, however, the original spirit continues to move the band as it always has.
Blinn sings with a tight fisted ferocity that makes his lyrics tremble. "Lakeside Redneck Shindig" finds the band pushing it hot and fast in joyous celebration, while "Hangin' Tree" clears the air with a slow moan about eerie ghosts waiting around for opportunity. "Zombie Whip" geatures a highly rhythmic band romp, while "Slow Rollin' simmers gently with a timeless blues message about travelin' and finding peace through a change in scenery.
The Mississippi Mudsharks like to run to hard and fast; however, they also know how to slow it down in order to convey a sincere message. Their genuine combination or gritty punk rock and Delta roots blues delivers its message to a broad audience. The band's performance, this time out, works particularly well on their instrumental arrangement of "Down The Line" and their cowboy western ballad approach to "Devil's Road"
~~Jim Santella

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6/29/06

Mississippi Mudsharks
"Train Rolls On"
Double Barrel Records
***

Once San Diego's most exciting blues punks, the Mississippi Mudsharks end six years of exile by rekindling their explosive musical spirit on this CD. Using blues as a springboard, the Mudsharks play grease-punk, a flinty attitude that's fearless, incorporating rockabilly, country, surf or spaghetti Western guitar into the mix. Singer-guitarist Scottie Blinn's blazing title cut sets the tone, with slashing guitar and Tom Essa's propulsive drumming. The twosome is joined by Mike Lars here, and his aggressive bass is precise, whether it is take-no-prisoners beat or the classic loping sound of the Mudsharks, who will host a record release party at Winston's in Ocean Beach on Sunday.
­ MICHAEL KINSMAN, Union Tribune

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6/14/06

The CD came in yesterday and I just had  a first listing REAL LOUD on my stereo, and I liked it so much.
There's a lot variety on it and I think the people are gonna be surprised and love what they gonna hear.

-THEO LOOIJMANS/ ROOTS 'N' BLUES (NETHERLANDS)

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6/13/06

Yesterday I received the new CD. Man, let me congratulate you with such an wonderful and amazing sound .
Really great stuff. I can't choose the best song because they are all even good. See you soon. Best regards, Eddy...

-EDDY VERHEVEN/ BEERSEL BLUES FESTIVAL (BELGIUM)

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(From Scottie Blinn)~~And here's one guy who just didn't get it!

Mississippi Mudsharks "Train Rolls On" (*). This is a noisy bore lead by throaty singer "Scottie "Mad Dog" Blinn. Bluz & Boogie numbers like the title track & "Zombie Whip" and lumbering slow Blues in "Can't Put Down The Drink" dripping with testosterone but painful for the ears. Fans of George Thorogood-style slide rock may find something to like here.~~Blues Critic Media, June 2007

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8/1/02

Mississippi Mud

Feat. Scottie "Mad Dog" Blinn & Eric "Jailhouse" Von Herzen

(Double Barrel Records/ 66 Records)

With their live session, singer/guitarist Scottie Blinn and harpist Eric "Jailhouse" Von Herzen explore the Delta roots of blues. boogie woogie, and rock 'n' roll. Theirs is a "take no prisoners" form of story tellin' blues that can sweep an audience off its feet. No one goes home unaffected. Dancin' in their seats, this audience is treated to a rompin' stompin' party steeped in the history of American rock 'n' roll. Blinn's guitar work brings back '50's memories while his gruff singing style bites hard at the ropes. He's an emotional rocker. Von Herzen colors each track with "old school" Mississippi Delta low moans.

The band's thigh-slapping rhythms and enthusiastic wails were performed live in Tijuana before an enthusiastic audience. But that's just the first half of the album. The remainder comes from a knockout studio session that has captured every nuance from the band and leaders. An even balance between fresh originals and memorable classics makes this one a delight. "Fender Bender", "Lonesome Road", and "All Ya Need" add just as much color and history as do "Folsom Prison Blues", "Don't Lose Your Cool", and "Evenin' Sun". Mississippi Mud leaves a lasting impression that spans the years from oppressed field hollers to the kind of Saturday night party time fun found in either century.

~~Jim Santella

(Southland Blues)

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7/25/02

No Stranger here... in fact a prominent force on the music all through the 90's, with San Diego Music Award nominations from 1994-2001.

Voted Best Blues Band in San Diego for 1995, 1996 and 1997 with The (original) Mississippi
Mudsharks.

Taking names, kicking serious tail and leaving a trail in 1999 and 2000 with The Tiki Torchers
burning up the beach area clubs... now here it is down to 2002.

Fans, Friends and those yet to be iniated will be glad to hear that Scottie Blinn is back on the road again and hitting it as hard as ever with Mississippi Mud. This combination of Scottie Blinn's blistering guitar work and gutsy vocals, with Eric "Jailhouse" Von Herzon's deep dark harmonica tone and rhythm that knocks you out of your seat. Throw in this amazing tag team rhythm section and you have a soulful energizing experience that will have you up in a flash.

The new CD is about 50 minutes with a little sumpin' sumpin' for everyone... 13 tracks that I'm sure will have you snappin' them fingers and tappin' those toes... and is sure to pick up any house rent party that might be planned in your neighborhood..

The selection of tunes heard here blend traditional and modern styles equally well with a sincere
intensity and these fellas get started right out of the gate with the acoustic based bottom dwelling All You Need...and just keep rockin' like a Southern California Earthquake through the rest of it
all. Some of my personal favorite include All You Need Is, Everything Is Allright, The Jackson Stomp, and people... hello is this thing on? On a little number Fender Bender "Jailhouse" is blowin' the walls down and will be the delight of harmonica fans.

These Cats give it their all every night and whether it's in an intimate venue such as The Tiki, or
Etta's Place, the world famous Blue Cafe, at a Belgium Blues Festival or the maddening rush of the San Diego Street Scene they are pouring heart and soul (and alot of sweat) into this music.

 

I strongly urge you to see/hear/support these fellas as soon as you can since they have yet another
world tour coming up later this summer (Kick Off Mid-August) and will be travelling into fall.
Scheduled for a good ol' electrifying Mississippi Mud stomping is Germany, Switzerland, Austria,
and Belgium.

The band will soon be rocking them up real good, watch for the Mississippi Mud and catch this
smokin' band when you can.

~~Chet Cannon

(Blues Hall Of Fame)

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9/8/99

"Hoodoo Charm"

Scottie Blinn And The Tiki Torchers

(Double Barrel Records)

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***1/2

This is a cool record. For those of you living in a cave down by the Crystal Pier, Scottie Blinn is an alumnus of the Mississippi Mudsharks, one of San Diego's most bitchin' party blues bands. With the Tiki Torchers, the spirit of the blues is still very much around--but now the ghost of surf rock and the shade of Herb (Ellis) join it as well. As such, Hoodoo Charm is the perfect stew of San Diego's musical mettle. It took me by surprise, actually. "Made In The Shade" and "Keep On Tryin'" are just the kind of groovin' blues moves I expected from Scottie--but then the third track kicked in and I did a double take: was that the Belaire's "Mr. Moto"? And again, after the very cool title track and the very nasty "Slicker Than Grease" (both Blinn originals), comes "Japengo", a funky little Tijuana Brass thing. Closing it all is "Brotherhood", probably the least self-conscious social consciousness song I've ever heard. This is a great late-night-on-the-patio-drinkin'-beer record. If you want to raise the specter of the blues, or just get in a Southland kind of trance, Hoodoo Charm ought to do the trick.

--Clark Novak

(SLAMM Magazine)

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Personal memo to Scottie from Detlev Hoegen, President of Crosscut Records, Germany:

8/99

Great album! Great taste. Your tone is thrilling!

Review to follow shortly......

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10/99

The Mississippi Mudsharks won't exist as a touring band any longer, will perform together occasionally only, after finishing this year's tour of Europe. Guitar player and singer Scottie Blinn has already been working with his new format, The Tiki Torchers. The name of the band may sound strange, but the music is familiar. Back to where the Sharks once began, straight blues performed by a powerful yet traditional trio. Blinn's adding some new spices like surf-inspired guitar solos, bringing something special to his music. He plays a mean Stratocaster guitar with a full-bodied tone and a lot of reverb. Very powerful. He's got the abilities of becoming a GREAT one!

--Detlev Hoegen,

(President, Crosscut Records--Germany)

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10/99

Scottie Blinn is the leader, guitar-player and singer of the Mississippi Mudsharks from San Diego, California. In 1997 and 1998 the Mudsharks caused a big sensation in Germany, and their first two CD's headed for a long time the selling charts of Crosscut Records (explanation: Europe's biggest blues mailorder service). Shortly after the release of the third CD of the Mississippi Mudsharks (see for the review on another place in this issue) and immediately before the second big tour of the trio all over Europe Scottie presents here now a completely different band. It's again a trio which is bringing up various guests with lap steel, dobro, harp, and trombone at six of the ten tracks. Stylisticly Blinn with his Tiki Torchers isn't too far away from the Mudsharks, even if by example "Enchanted", not least because of the lap steel creates cool caribian sounds which are coupled with relaxed blues. Otherwise it's a mixture of heavy Texas blues and dangerously rumbling Louisiana groove. You cannot use famous names by way of comparison, because Scottie Blinn is absolutely playing his own style. Those who enjoyed the Mississippi Mudsharks will be right here. And all of those too who prefer more rocking variations of the blues, and who are not waiting for the 135th trial to copy Stevie Ray Vaughan, surely are coming to the right address here.

--Dirk Fohrs

(Chief Editor, Blues News Magazine--Germany)